SSC CGL 2016 Tier-1 English Paper Mock Test-21 (4-9-2016 Shift-1)

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Last updated on November 18th, 2022 at 11:51 pm

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SSC CGL 2016 Tier-1 English Paper Mock Test-21 (4-9-2016 Shift-1)

Total Number of Questions : 25

1 / 25

Question 1. In the following question, out of the four alternatives, choose the word which best expresses the meaning of the given word and click the button corresponding to it.

EXAGGERATE

Options:

2 / 25

Question 2. In the following question, out of the four alternatives, choose the word which is opposite in meaning to the given word and click the button corresponding to it.

GREGARIOUS

Options:

3 / 25

Question 3. Four words are given, out of which only one word is spelt correctly. Choose the correctly spelt word and click the button corresponding to it.

Options:

4 / 25

Question 4. In the following questions, one part of the sentence may have an error. Find out which part of the sentence has an error and click the button corresponding to it. If the sentence is free from error, click the "No error" option.

Considering the (A) / gravity of the problems (B) / an early reply has expected (C) / No Error (D)

Options:

5 / 25

Question 5. In the following questions, one part of the sentence may have an error. Find out which part of the sentence has an error and click the button corresponding to it. If the sentence is free from error, click the "No error" option.

The Statesman has the (A) / larger circulation (B) / of all English dailies (C) / No Error (D)

Options:

6 / 25

Question 6. In the following questions, one part of the sentence may have an error. Find out which part of the sentence has an error and click the button corresponding to it. If the sentence is free from error, click the "No error" option.

I am very anxious (A) / to know how are you (B) / and mother are doing (C) / No Error (D)

Options:

7 / 25

Question 7. The sentences given with blanks are to be filled with an appropriate word(s). Four alternatives are suggested for each question. For each question, choose the correct alternative and click the button corresponding to it.

Everything ____________ carefully checked.

Options:

8 / 25

Question 8. The sentences given with blanks are to be filled with an appropriate word(s). Four alternatives are suggested for each question. For each question, choose the correct alternative and click the button corresponding to it.

I've _____________ finished painting the house.

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Question 9. The sentences given with blanks are to be filled with an appropriate word(s). Four alternatives are suggested for each question. For each question, choose the correct alternative and click the button corresponding to it.

She _________ made him angry.

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10 / 25

Question 10. In each of the questions, four alternatives are given for the Idiom/Phrase. Choose the alternative which best expresses the meaning of the Idiom/Phrase and click the button corresponding to it.

Burn your boats

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11 / 25

Question 11. In each of the questions, four alternatives are given for the Idiom/Phrase. Choose the alternative which best expresses the meaning of the Idiom/Phrase and click the button corresponding to it.

Dressing­down

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12 / 25

Question 12. In each of the questions, four alternatives are given for the Idiom/Phrase. Choose the alternative which best expresses the meaning of the Idiom/Phrase and click the button corresponding to it.

Null and void

Options:

13 / 25

Question 13. Out of the four alternatives, choose the one which can be substituted for the given words/sentences and click the button corresponding to it.

Write or carve words on stone or paper

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14 / 25

Question 14. Out of the four alternatives, choose the one which can be substituted for the given words/sentences and click the button corresponding to it.

Unable to pay one's debt

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15 / 25

Question 15. Out of the four alternatives, choose the one which can be substituted for the given words/sentences and click the button corresponding to it.

Trouble and annoy continually

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16 / 25

Question 16. A sentence/a part of the sentence is underlined. Four alternatives are given to the underlined part which will improve the sentence. Choose the correct alternative and click the button corresponding to it. In case no improvement is needed, click the button corresponding to "No improvement".

The Chairman's harsh words like insult to injury to the embarrassed speaker.

Options:

17 / 25

Question 17. A sentence/a part of the sentence is underlined. Four alternatives are given to the underlined part which will improve the sentence. Choose the correct alternative and click the button corresponding to it. In case no improvement is needed, click the button corresponding to "No improvement".

He is in of sorts today.

Options:

18 / 25

Question 18. A sentence/a part of the sentence is underlined. Four alternatives are given to the underlined part which will improve the sentence. Choose the correct alternative and click the button corresponding to it. In case no improvement is needed, click the button corresponding to "No improvement".

She told to me the news.

Options:

19 / 25

Question 19. A sentence/a part of the sentence is underlined. Four alternatives are given to the underlined part which will improve the sentence. Choose the correct alternative and click the button corresponding to it. In case no improvement is needed, click the button corresponding to "No improvement".

The philanthropist bestowed a lakh to the orphanage.

Options:

20 / 25

Question 20. A sentence/a part of the sentence is underlined. Four alternatives are given to the underlined part which will improve the sentence. Choose the correct alternative and click the button corresponding to it. In case no improvement is needed, click the button corresponding to "No improvement".

There are a better ways of solving the problem.

Options:

21 / 25

Question 21. A passage is given with 5 questions following it. Read the passage carefully and choose the best answer to each question out of the four alternatives and click the button corresponding to it.

In general it is better to use too little make­up than too much. The audience should not be aware that the actor's face is painted. For the actor who is playing his own age, the artist uses make­up to strengthen the features, particularly eyes and mouth, and to add lifelike colour to the face. Character make­up does these things in addition to transforming the face to another age, another type or another race. This transformation, particularly for young actors playing old characters, can be helped greatly by hats and hairdos.

Make­up consists of applying a base colour, then modelling the face by highlighting and shadowing (sinking the cheeks, for example, with a darker colour). Sometimes, modelling is done by applying false (putty or plastic) noses, enlarged eyebrows, or scars. Lines to suggest wrinkles are drawn on with a dark make­up pencil (brown or maroon, not black) or brush. Each line is highlighted with another line, either white or a light tint of the base colour. Lips are outlined and coloured, and a similar colour is applied to the cheeks. After make­up is complete, powder is applied.

The artist uses make­up to strengthen the features, particularly eyes and mouth, and to add life like colours to the face for the actor who is playing __________.

Options:

22 / 25

Question 22. A passage is given with 5 questions following it. Read the passage carefully and choose the best answer to each question out of the four alternatives and click the button corresponding to it.

In general it is better to use too little make­up than too much. The audience should not be aware that the actor's face is painted. For the actor who is playing his own age, the artist uses make­up to strengthen the features, particularly eyes and mouth, and to add lifelike colour to the face. Character make­up does these things in addition to transforming the face to another age, another type or another race. This transformation, particularly for young actors playing old characters, can be helped greatly by hats and hairdos.

Make­up consists of applying a base colour, then modelling the face by highlighting and shadowing (sinking the cheeks, for example, with a darker colour). Sometimes, modelling is done by applying false (putty or plastic) noses, enlarged eyebrows, or scars. Lines to suggest wrinkles are drawn on with a dark make­up pencil (brown or maroon, not black) or brush. Each line is highlighted with another line, either white or a light tint of the base colour. Lips are outlined and coloured, and a similar colour is applied to the cheeks. After make­up is complete, powder is applied.

What do artists use to help young actors playing old men?

Options:

23 / 25

Question 23. A passage is given with 5 questions following it. Read the passage carefully and choose the best answer to each question out of the four alternatives and click the button corresponding to it.

In general it is better to use too little make­up than too much. The audience should not be aware that the actor's face is painted. For the actor who is playing his own age, the artist uses make­up to strengthen the features, particularly eyes and mouth, and to add lifelike colour to the face. Character make­up does these things in addition to transforming the face to another age, another type or another race. This transformation, particularly for young actors playing old characters, can be helped greatly by hats and hairdos.

Make­up consists of applying a base colour, then modelling the face by highlighting and shadowing (sinking the cheeks, for example, with a darker colour). Sometimes, modelling is done by applying false (putty or plastic) noses, enlarged eyebrows, or scars. Lines to suggest wrinkles are drawn on with a dark make­up pencil (brown or maroon, not black) or brush. Each line is highlighted with another line, either white or a light tint of the base colour. Lips are outlined and coloured, and a similar colour is applied to the cheeks. After make­up is complete, powder is applied.

What is the correct sequence for make­up?

Options:

24 / 25

Question 24. A passage is given with 5 questions following it. Read the passage carefully and choose the best answer to each question out of the four alternatives and click the button corresponding to it.

In general it is better to use too little make­up than too much. The audience should not be aware that the actor's face is painted. For the actor who is playing his own age, the artist uses make­up to strengthen the features, particularly eyes and mouth, and to add lifelike colour to the face. Character make­up does these things in addition to transforming the face to another age, another type or another race. This transformation, particularly for young actors playing old characters, can be helped greatly by hats and hairdos.

Make­up consists of applying a base colour, then modelling the face by highlighting and shadowing (sinking the cheeks, for example, with a darker colour). Sometimes, modelling is done by applying false (putty or plastic) noses, enlarged eyebrows, or scars. Lines to suggest wrinkles are drawn on with a dark make­up pencil (brown or maroon, not black) or brush. Each line is highlighted with another line, either white or a light tint of the base colour. Lips are outlined and coloured, and a similar colour is applied to the cheeks. After make­up is complete, powder is applied.

Lines are drawn with a dark make­up pencil or brush to suggest ______________.

Options:

25 / 25

Question 25. A passage is given with 5 questions following it. Read the passage carefully and choose the best answer to each question out of the four alternatives and click the button corresponding to it.

In general it is better to use too little make­up than too much. The audience should not be aware that the actor's face is painted. For the actor who is playing his own age, the artist uses make­up to strengthen the features, particularly eyes and mouth, and to add lifelike colour to the face. Character make­up does these things in addition to transforming the face to another age, another type or another race. This transformation, particularly for young actors playing old characters, can be helped greatly by hats and hairdos.

Make­up consists of applying a base colour, then modelling the face by highlighting and shadowing (sinking the cheeks, for example, with a darker colour). Sometimes, modelling is done by applying false (putty or plastic) noses, enlarged eyebrows, or scars. Lines to suggest wrinkles are drawn on with a dark make­up pencil (brown or maroon, not black) or brush. Each line is highlighted with another line, either white or a light tint of the base colour. Lips are outlined and coloured, and a similar colour is applied to the cheeks. After make­up is complete, powder is applied.

When is powder usually applied?

Options:

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